How do you make six huge frames for Titian’s mythological paintings?
Peter Schade, our Head of the Framing, shows the process of creating six huge matching frames for the ‘#Titian: Love Desire Death’ exhibition. pic.twitter.com/HF3h8HE9tP
These frames took three weeks to carve each 😳
Frames are interesting because if you get them right they are “invisible,” one with the work, even elevating it. And the wrong frame can neuter a piece.
