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Read Several People are Typing

Read Several People Are Typing

Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is The Office for a new world.

Gerald, a mid-level employee of a New York–based public relations firm has been uploaded into the company’s internal Slack channels—at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from . . . wherever he says he is.

Faced with the looming abyss of a disembodied life online, Gerald enlists his co-worker Pradeep to help him escape, and to find out what happened to his body. But the longer Gerald stays in the void, the more alluring and absurd his reality becomes.

Meanwhile, Gerald’s colleagues have PR catastrophes of their own to handle in the real world. Their biggest client, a high-end dog food company, is in the midst of recalling a bad batch of food that’s allegedly poisoning Pomeranians nationwide. And their CEO suspects someone is sabotaging his office furniture. And if Gerald gets to work from home all the time, why can’t everyone? Is true love possible between two people, when one is just a line of text in an app? And what in the hell does the :dusty-stick: emoji mean?

Just short enough for the format to not wear thin. I liked how it switched between different conversations / channels to move the storyline along. Some of the “realistic” office chatter could have been cut down a bit, as well as the boss’ notes to self, I think — they seemed more included for general humor than adding to the story.

By Tracy Durnell

Writer and designer in the Seattle area. Reach me at tracy.durnell@gmail.com. She/her.

5 replies on “Read Several People are Typing”

Books Read in 2021
See statistics about the books I read in 2021.
Presented in reverse order. Links go to my review / notes. * indicates re-reads
👍 = liked a lot 👍👍 = loved (not equivalent to a star rating – an enjoyment / value, not quality, assessment)

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Heartstopper Vol. 2
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Burning Bright 👍
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Never Say You Can’t Survive 👍
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nonbinary + asexual author

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Ed. by R. Thompson & P. Orr
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Dance with the Fae Prince 👍
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Sensory: Life on the Spectrum
Edited by Schnumn
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The Daughters of Ys
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Half a Soul 👍
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Beach Read
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Several Short Sentences About Writing 👍
by Verlyn Klinkenborg
(non-fiction, writing)

A Wizard’s Guide to Defensive Baking
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Spinning Silver* 👍👍
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by Elizabeth Hoyt
(romance, historical)

Dearest Rogue*
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(romance, historical)
blind + disabled rep

Her Cyborg Champion 👍
by Susan Hayes
(romance, sci-fi)
novella

The Life-Changing Manga of Tidying Up
by M. Kondo + Y. Uramoto
(manga, self-help)
Japanese author

Three Nights with a Scoundrel*
by Tessa Dare
(romance, historical)
deaf rep

The Intimacy Experiment
by Rosie Danan
(romance, contemporary)
bi rep, Jewish rep

Year of the Rabbit
by Tian Veasna
(graphic novel, memoir)
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The Commanders’ Mate
by Grace Goodwin
(romance, sci-fi)
novella, self-pub

A Year of Picnics
by Ashley English
(cookbook)

Hearts in Darkness*
by Laura Kaye
(romance, contemporary)
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Wolf Gone Wild
by Juliette Cross
(romance, paranormal)
self-pub

No One is Talking About This 👍👍
by Patricia Lockwood
(fiction, literary)
queer author

Winter’s Orbit 👍👍
by Everina Maxwell
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queer author, LGBTQ rep

Dragon Bound*
by Thea Harrison
(romance, urban fantasy)

False Knees 👍
by Joshua Barkman
(comic strips, humor)

The Galaxy, and the Ground Within 👍
by Becky Chambers
(sci-fi, space opera)
non-binary rep, queer author

Read in June

The Queer Principles of Kit Webb
by Cat Sebastian
(romance, historical)
gay + bi rep, disability rep

Dangerous Books for Girls 👍
by Maya Rodale
(non-fiction, analysis)

The Summer Book
by Tove Jansson
(fiction)
lesbian author, novella

Come Again
by Nate Powell
(graphic novel, horror)

A Portrait of Ice
by Caleb Cain Marcus
(art book, photography)

House of Women
by Sophie Goldstein
(graphic novel, sci-fi horror)

The Spymaster’s Lady*
by Joanna Bourne
(romance, historical)

Delivered from Distraction
by Edward M. Hallowell + John J. Ratey
(non-fiction, self-help)

Chasin’ the Bird 👍
by Dave Chisholm
(graphic novel, biography)

Money Shot Vol. 1
by T. Seeley, S. Beattie, R. Isaacs + K. Russell
(graphic novel, sci-fi)
LGBTQ rep

They Called Us Enemy
by George Takei, J. Eisenger, S. Scott + H. Becker
(graphic novel, memoir)
Japanese-American + gay author

Neon Gods
by Katee Robert
(romance, urban fantasy)
bi rep

Threshold of Annihilation
by T.A. White
(sci-fi, romance)
self-pub

A Bride’s Story 12
by Kaoru Mori
(comic, historical)
Japanese author, Central Asian rep

Age of Deception
by T.A. White
(sci-fi, romance)
self-pub

Trick of the Light
by Megan Derr
(romance, paranormal)
gay rep, novella, self-pub

Ten Ways to Be Adored When Landing a Lord*
by Sarah MacLean
(romance, historical)

How to Find a Princess
by Alyssa Cole
(romance, contemporary)
Black author + rep, lesbian + pan rep, neurodiverse rep

Read in May

Your Music and People 👍
by Derek Sivers
(non-fiction, marketing)
self-pub

Queen of the Sea
by Dylan Meconis
(graphic novel, alt history)
queer author

Fireheart Tiger
by Aliette de Bodard
(fantasy, romance)
lesbian rep, French-Vietnamese author, novella

Maurice
by E.M. Forster
(fiction, historical)
gay rep + author

Keep Moving
by Maggie Smith
(memoir / self-help)

Banned Book Club
by Kim Hyun Sook, Ryan Estrada + Ko Hyung-Ju
(graphic novel, history)
Korean author + illustrator + rep

A Bride’s Story 11
by Kaoru Mori
(graphic novel, history)
Japanese author, Central Asian rep

Fugitive Telemetry 👍
by Martha Wells
(sci-fi, mystery)
novella

Queen of Distraction
by Terry Matlen
(non-fiction, self-help)

Magnate
by Joanna Shupe
(romance, historical)

Rules of Redemption 👍
by T.A. White
(sci-fi, romance)

Suffragette Scandal*
by Courtney Milan
(romance, historical)
self-pub, Asian-American author

Thelkor
by Starr Huntress + Ava York
(romance, sci-fi)
self-pub

Driven to Distraction
by Edward M. Hallowell + John J. Ratey
(non-fiction, self-help)

Patience & Esther
by S.W. Searle
(graphic novel, romance)
lesbian rep, queer author, Desi rep

How Stella Learned to Talk 👍
by Christina Hunger
(non-fiction, linguistics)

A Radical Guide for Women with ADHD
Sari Solden + Michelle Frank
(non-fiction, self-help)

Hench 👍👍
by Natalie Zina Walschots
(fantasy, superhero)
bi rep
Read in April

Evernight*
by Kristen Callihan
(romance, steampunk/PNR)

Broken
(in the best possible way)

by Jenny Lawson
(humor, memoir)

Devil Comes Courting 👍
by Courtney Milan
(romance, historical)
self-pub, Chinese-Am author, Asian + Black + neurodiverse rep


Get a Life, Chloe Brown
by Talia Hibbert
(romance, contemporary)
Black rep + author

Thief of Shadows* 👍
by Elizabeth Hoyt
(romance, historical)

ADHD According to Zoe
by Zoe Kessler
(memoir / non-fiction)

Sand, Stone, and Sandstone
by Bruce Barnbaum
(art book, photography)

Piranesi
by Susanna Clarke
(fantasy, portal)

Death’s Dancer
by Jasmine Silvera
(romance, paranormal)
self-pub, Black author

First Comes Like
by Alisha Rai
(romance, contemporary)
South Asian author + rep

Edward Weston
by Edward Weston & Steve Crist
(art, photography)

Burnout
by Amelia & Emily Nagoski
(non-fiction, self-help)
Read in March

The Practice
by Seth Godin
(non-fiction, creative work)

Paladin’s Strength
by T. Kingfisher
(fantasy, romance)
self-pub

Silver Silence* 👍👍
by Nalini Singh
(romance, paranormal)
Asian-Kiwi author

Across the Green Grass Fields
by Seanan McGuire
(fantasy, portal)
intersex rep, queer author, novella


The Duke Who Didn’t* 👍
by Courtney Milan
(romance, historical)
Chinese rep, Chinese-Am author

Season for Surrender*
by Theresa Romain
(romance, historical)

Declaration of Courtship*
by Nalini Singh
(romance, paranormal)
Asian-Kiwi author, novella


oh no 👍
by Alex Norris
(comic strips)

Discovering Dahlias 👍
by Erin Benzakein
(non-fiction, gardening)

White Rapids
by Pascal Blanchet
(graphic novel, non-fiction)

Baggywrinkles
by Lucy Bellwood
(graphic novel, non-fiction)
Read in February

The Right Swipe
by Alisha Rai
(romance, contemporary)
Asian author + rep, Black rep

Hello Forever*
by Sarina Bowen
(romance, contemporary)
gay rep, self-pub


Her Fantasy Husband*
by Nina Croft
(romance, contemporary)

Think of England
by KJ Charles
(romance, historical)
self-pub, LGBTQ rep

Be My Guest
by Priya Basil
(non-fiction, essay)
Asian author, atheist author

Sentient
Jeff Lemire + Gabriel Walta
(graphic novel, sci-fi)

In the Darkest Midnight*
by Grace Draven
(romance, fantasy)
self-pub, novella


Moonlighter
by Sarina Bowen
(romance, suspense)

Replied to IndieWeb Popup: Analog Meets Online (indieweb.org)

How do the fun and potential of our personal websites, and the connection of online community, extend into our offline lives and spaces? How are people playing with the boundaries of virtual and offline life? How can websites enhance physical places, things and events?
Let’s share our analog-virtual projects and ideas (and examples you’ve seen), explore what excites us about the future, discuss how online and in-person community and events interface and enhance each other, and reflect on bigger picture questions about the blending of these spheres in our lives and society.

This was a fun session! Although I booked it for two hours, we wound up talking for nearly three 😂 Lots of interesting ideas and perspectives and discussion.
How to meet people / show you’re open to meeting people online
Virtual calling card <– is that like pinging a webmention to someone’s homepage? 🤔 Or was that the intent of Guestbooks back in the day? As a reader of a lot of historic fiction, it tickles my fancy to think of a virtual version of Visiting Hours when people could leave their card if you weren’t home to let you know they came, and/or you’d be sure to be around to see whoever came… which leads to:
Virtual office hours that people can book to talk with you — I think I saw someone offering this in their email footer? Something like they reserved an hour or two a week and people could book 15-minute slots with them? Can’t find it now…
Drop-in unprogrammed live video calls –> online public spaces?

When one person is at a live event while sharing it online
Re: people live streaming at riots and letting people online tell them things to do:

Gives online viewers influence on in-person attendees’ realities, with asymmetric risks
Online viewers’ investment in the outcome and safety is lower because the stakes are lower (or nonexistent) for them
Online viewers’ purpose for watching may be different than the purpose of those attending in person

I noticed that even sharing photos with my friends on our private chat while a vacation was ongoing changed the experience and felt almost like inviting them into the trip with me and my husband, and decided to stop sending updates for the most part.
Online-only events offer a level of privacy & safety that in-person events can’t — it’s easy to leave a zoom call, you can hide your face / obscure your identity, you can connect with people without posting your physical location and being in the same physical space as others you don’t know
Should some types of live events be kept private — if you didn’t come you missed it? Many live events are transformed by the experience of being there with a bunch of other people (sports, opening night at the movie theater, concerts). Just read about the laugh track in Seek You, which was created to help people adapt from watching things in theaters with other people to watching things at home — to help people feel less alone, because people are more expressive of emotions (and potentially heightened?) when they’re in a group.
How have our expectations of physical media changed since blogging / social media became popular?
Thinking about a couple fiction books I read least year: Several People are Typing and No One is Talking About This. We’re ok with less formal language. Chat’s made its way into fiction as a new epistolary format.
Plus Gretchen McCulloch’s Because Internet. Social media, chat follows oral communication styles. Does using oral communication style in written formats influence our perception of more traditional written communication style, is there a greater overlap and blending of those on the internet where so much oral-style communication is used?
Blogging is often similar to journaling in style — is letter-writing and journaling somewhat of a blend of oral and literary as well? Is that part of the modern challenge of writing letters — it’s hard to gauge what formality to write them in? (Along with the uncomfortable temporality of using a slow medium in an age when communication is instant.)

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