Categories
Comics Fantasy

Read Mazebook

Read Mazebook by Jeff Lemire

A lonely building inspector still grieving the loss of his puzzle-loving daughter receives a mysterious phone call one night from a girl claiming it’s her and that she’s trapped in the middle of a labyrinth. Convinced that this child is contacting him from beyond this world, he uses an unfinished maze from one of her journals and a map of the city to trace an intricate path through a different plane of reality on an intense and melancholy adventure to bring his daughter back home.

I liked this, though not one of my favorite Lemire books. It was a slow start for me, and I’m not quite sure the end tied everything together quite right.

I thought the art worked really well for the tone of the story. I liked the use of sepia and color to emphasize emotion. I’m not sure the experimental panel layouts totally worked for me.

comic page from the early part of Mazebook, showing four panels, two with feet walking, one with a dejected portrait, another with a side view of the character entering his workplace
The linework on the faces is very emotive. I like the use of the repeating panel here. The sepia toning works well for the depressed character’s POV.
Categories
Featured Science Society Technology

When “ambiguity is a feature, not a bug”

Replied to Pluralistic: Netflix wants to chop down your family tree (02 Feb 2023) by Cory DoctorowCory Doctorow (pluralistic.net)

Suddenly, it was “computer says no” everywhere you turned, unless everything matched perfectly. There was a global rush for legal name-changes after 9/11 – not because people changed their names, but because people needed to perform the bureaucratic ritual necessary to have the name they’d used all along be recognized in these new, brittle, ambiguity-incinerating machines.

Digital precision

We encounter this problem often in the digital world in things like content-limited text fields and binary choices on a form (or limited options that drive us always to “other”).

The digital world demands exactitude in a way analog doesn’t. I recall my dad, a TV station electrician, explaining the difference between analog and digital signal to me as a kid; I couldn’t understand why the squared shape of digital signal — either you get it or you don’t — would win out over more flexible analog signal, which has some allowance to receive lower quality signal rather than none.

Too, this inherent precision of digital information influences the way we think about data. We interpret numbers to be more meaningful than they are:

Excel-calculated results down to four decimals falsely imply confidence unsupported by the input data.

Recipes call for a specific baking time, when everyone’s oven is a little bit different, and environmental conditions affect baking time by impacting the moisture content of the ingredients.

Ad metrics and pageview data and likes that don’t translate truly to reach or brand recognition or conversions. (Like Internet celebs with millions of followers getting book deals that don’t translate to sales.)

Categories
Fantasy Romance

Read For the Throne

Read For the Throne by Hannah Whitten

Red and the Wolf have finally contained the threat of the Old Kings but at a steep cost. Red’s beloved sister Neve, the First Daughter is lost in the Shadowlands, an inverted kingdom where the vicious gods of legend have been trapped for centuries and the Old Kings have slowly been gaining control. But Neve has an ally–though it’s one she’d rather never have to speak to again–the rogue king Solmir.

Solmir wants to bring an end to the Shadowlands and he believes helping Neve may be the key to its destruction. But to do that, they will both have to journey across a dangerous landscape in order to find a mysterious Heart Tree, and finally to claim the gods’ dark, twisted powers for themselves.

This was a very frustrating read, and I don’t think it stuck the landing. The solution didn’t make a whole lot of sense. I didn’t believe the heroine would choose what she did. The resolution between her and the antihero was weak.

There was no need for this to be 500 pages. There were seriously like five dream sequences. At least one other POV could have been cut. I would frankly have cut all the other viewpoints besides Neve. I thought it very odd to have one chapter each from the sisters’ love interests.

Honestly the story just didn’t quite work. It wanted to be the story of two sisters, and it wanted to be a romance, and it wanted to be epic fantasy. Unfortunately, by not choosing one it did all three poorly. It probably should have focused on the sisters instead of the romance, based on the ending.

At the halfway point, I started skipping all the other viewpoint scenes until the climax. They telegraphed too much, without adding value. Knowing the end, I don’t think they paid off. The author used them to create tension by keeping you away from getting resolution from the main storyline, which I feel is a bad sign when the tension isn’t enough on its own and you have to stall.

Categories
House Lifestyle

Coziness comes from life

Quoted 6 SMALL WAYS TO MAKE A HOME FEEL COZY (aestheticsofjoy.com)

[C]oziness comes not from what you *put* in your space, but [how] you *live* in your space…

Coziness is about intimacy, but we don’t often think about intimacy when decorating our homes. Truly cozy spaces in a family home are ones where we feel drawn to be together, to be so close that we can feel the warmth of each others’ bodies.

I’ve been annoyed that even over the past ten years of living here, my living room does not feel cozy or inviting, no matter how many throw pillows and blankets I add. And I think she’s onto something here with her description of “rhythms of coziness”: using the space makes it become cozy. We spend almost no time in our living room, so we don’t really have memories or rituals in the space, and the accessories of life and comfort don’t make their way there.

Scale is another tricky element — with only two people, we’re floating around in too much space, and the raised ceiling looks pretty but feels less human scale.

Categories
Business Technology Work

They don’t only take our labor.

Replied to This is a rant about beds at work by Meg Conley (homeculture by Meg Conley)

Last week, Twitter installed bedrooms for employees. They’re expected to be “hardcore” and being hardcore means working too late to go home. And then waking up and working some more. The rooms look like an answer to the alternative history question, “What if IKEA showrooms existed behind a 2022 Iron Curtain?” But they’re really just a reaction to the relative freedom of remote work and an empowered labor force. It’s just another lever to pull when seeking maximum extraction for maximum profit.

They steal our lives too.

My husband works in tech and in 2019 spent two months basically living in the office for a product launch. He’d already been working 60-80 hour weeks remotely, but then he had to add a commute — the opposite direction from my work. We only have one car so often I’d have to walk home — only 45 minutes but sometimes you’re wiped at the end of the day and just want to fucking sit down, not climb a giant hill.

But suddenly making his partner responsible for *everything* to keep our household going was a cost his work could extract from my body, though I wasn’t the one working for them.

His boss said he’d pay for us to go out to dinner when it was done. As if one meal makes up for months of missed dinners. There’s a photo of me with the fancy drink I got — I look exhausted, can barely smile. My husband was so wiped he forgot to expense it. And we don’t even have kids.

I have multiple friends who have nearly been driven to quit by the tech sector’s on-call schedule.

Because it’s a good-paying job, it’s hard to complain about the expectation to work long hours, knowing how many others have it so much worse. But even though we’re not in Silicon Valley, Seattle has a price bubble of its own. With shitty ramblers from the seventies starting at a million bucks, even tech workers can’t afford a home now without two salaries.

I wish white collar workers could recognize that while they’re rich compared to the poor, they’re not rich compared to the *rich*. If you have to work, you’re not really rich. Workers of all classes could build some solidarity together. There’s a lot of manipulative class warfare turning people who should be allies against each other, when workers are not the root of the exploitation problem: owners are.