After All the Feels and Spoiler Alert, Olivia Dade once again delivers a warm and wonderful romantic comedy about two co-stars who once had an incredible one-night stand–and after years of filming on the same remote island, are finally ready to yield to temptation again…
Maria’s one-night-stand–the thick-thighed, sexy Viking of a man she left without a word or a note–just reappeared. Apparently, Peter’s her surly Gods of the Gates co-star, and they’re about to spend the next six years filming on a desolate Irish island together. She still wants him…but he now wants nothing to do with her.
Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set, and he won’t sabotage his career for a woman who’s already walked away from him once. Given time, maybe they can be cooperative colleagues or friends–possibly even best friends–but not lovers again. No matter how much he aches for her.
For years, they don’t touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion. Too bad they still don’t have a future together, since Peter’s going back to Hollywood, while Maria’s returning to her native Sweden. She thinks she needs more than he can give her, but he’s determined to change her mind, and he’s spent the last six years waiting. Watching. Wanting.
His shipwrecked Swede doesn’t stand a chance.
Unfortunately, this one didn’t work for me as well as the previous two books. There was a lot of funny banter, but not much plot. It felt longer than it needed to be — I kept waiting for something to happen. They had long conversations where I was waiting for information to appear or real conflict, but 🎆 nothing of substance. It felt like the author jumped to the scenes she felt like writing and glossing over the rest, and mostly what she wanted to write was banter. If you are looking for banter, this is your book.
Mild spoilers below the cut
