*A scorchingly hot modern retelling of Helen of Troy, Achilles, and Patroclus that’s as sinful as it is sweet.*
In Olympus, you either have the power to rule…or you are ruled. Achilles Kallis may have been born with nothing, but as a child he vowed he would claw his way into the poisonous city’s inner circle. Now that a coveted role has opened to anyone with the strength to claim it, he and his partner, Patroclus Fotos, plan to compete and double their odds of winning.
Neither expect infamous beauty Helen Kasios to be part of the prize…or for the complicated fire that burns the moment she looks their way.
Zeus may have decided Helen is his to give to away, but she has her own plans. She enters into the competition as a middle finger to the meddling Thirteen rulers, effectively vying for her own hand in marriage. Unfortunately, there are those who would rather see her dead than lead the city. The only people she can trust are the ones she can’t keep her hands off—Achilles and Patroclus. But can she really believe they have her best interests at heart when every stolen kiss is a battlefield?
Of the three books in this series, this plays the loosest with the source material overall, but then clings a little too close in other spots. Some things seemed to be included just to show that it was referencing the Iliad (Ajax), but would have been more powerful if those roles had been expanded (Hector).
The romance in this was a bit messy, starting with an established partnership in an open relationship and adding a third person, with some hurt feelings and bad behavior on the way. For the romance, I would have appreciated one more chapter at the end — it would have been good to hear from Patroclus again, and I never felt like Achilles and Patroclus resolved their mutual secret “you’re going to get tired of me and leave me” issues.
This set up some big pieces for the overall story of the city, but left too much unresolved IMO. There’s a big question about one of the plot pieces that we’re I guess just supposed to accept will be explained in the next book.
Using a golden apple on the cover when Atalanta is in the book but not the love interest is a weird choice for a series devoted to retelling myths, where readers may be familiar with the story of Atalanta’s footrace.