Screenwriters and other creative industry folks lose residuals and portfolio pieces when shows and movies never get released. In the comments it also sounds like health care is connected to residuals?
This practice is another facet of the self-cannibalization that’s happening to the creative industry — which makes sense if studios truly believe AI will save them. If they think audiences will be happy to watch movies starring CGI Harrison Ford and Bruce Willis forever, it’s no problem not to invest in building up a new generation of actors. If they think generative AI will create good enough shows and movies, they can let go of their screenwriters and other technical staff.
Maybe audiences will be fine watching mediocre movies with the same actors and subscribing to streaming services with a huge catalog of nothingness if there are no other options… but I sure wouldn’t stake my entire industry on it. There are plenty of other options for entertainment besides movies and TV. People are already sick of the boring shit studios are making because they will only make guaranteed hits. Netflix is already facing stagnation in subscriptions. The giant library of crap approach worked for Amazon Prime because it was positioned as an add-on benefit to Prime shipping — people weren’t signing up just for the streaming service.
Ironically, I think studios are recognizing these trends… but see AI as the solution. That by switching from human labor to AI, they’ll go from making a handful of boring but reliable hits to releasing a torrent of mediocre content. Maybe that will even make their cruddy feature films seem more attractive in comparison.
See also: Solidarity with the writer’s strike ✊✍️